Review of Breaking Dawn (The Twilight Saga, #4) by Stephenie Meyer
When I picked up Breaking Dawn, the final installment of the Twilight Saga by Stephenie Meyer, it felt like reuniting with old friends. Bella, Edward, and Jacob, with their supernatural love triangle and simmering tensions, had been a part of my reading life for years. Yet, the closer I got to the last page, the more I wondered if I was in for a grand finale or a disastrous cacophony of uninspired conclusions. Spoiler alert: it was a bit of both.
From the start, the plot teeters into absurdity, and it feels like stepping into a bad fan fiction. The pregnancy storyline—goodness! Bella being pregnant was a twist I never saw coming, but not for the right reasons. GAH! Did Meyer really think it was a good idea to make Bella a mother? The disbelief was palpable; a big part of me screamed, “No! This can’t be happening!” It’s not just that Bella didn’t strike me as particularly maternal; the circumstances felt forced and gimmicky.
One of the highlights, however, came unexpectedly through Jacob’s perspective in the second half. As someone who had previously rallied for Team Edward, I found myself warming up to Jacob. His character blossomed, and his voice provided depth I hadn’t anticipated. The evolution of Leah and Seth was another bright spot; Leah, in particular, shone in her development. These characters brought a refreshing dynamic, revealing aspects of the story that otherwise felt overshadowed by the melodrama.
But Meyer’s handling of Bella’s transformation into a vampire plunged me right back into frustration. After an agonizing pregnancy and a dramatic birth, the transformation itself felt oddly anticlimactic. The pain she described during the change seemed glossed over, and it left me wondering: how does one get “used” to being on fire? The absence of her struggles during this pivotal moment was a missed opportunity to deepen the narrative.
And then there’s her daughter’s name: Renesmee. Oh boy. A combination of Renee and Esme that sounds like a lost character from a fairy tale, made all the more uncomfortable by Jacob’s immediate imprinting on her. As a reader, I craved a more thoughtful resolution to Jacob’s feelings. Did he just poof away his feelings for Bella? It felt like a cheap trick to wrap up loose ends.
The climax involved the Volturi, and I found it unsatisfying. Their peaceful exit after gathering so many characters felt rushed and easy. Wouldn’t it have been more engaging to have a real conflict? Instead, it was all wrapped up with a bow in a predictably bland “Happily Ever After” chapter.
While I respect the effort and creativity that went into Breaking Dawn, I can’t ignore the numerous cliches and out-of-character moments scattered throughout. Bella’s miraculous self-control, the gifted vampires, and a plethora of side characters leaving little impact—it all resonated with the hallmarks of basic fan fiction.
Despite my critiques, I can’t deny that the Twilight Saga has a devoted following. If you’re someone who revels in romantic fantasy, enjoys a bit of melodrama, and has a soft spot for love stories that defy reality, you might still find joy in this conclusion.
As I closed the book, I felt a whirlwind of emotions—frustration mingled with nostalgia for the excitement the series once brought me. Breaking Dawn might not have been the triumphant conclusion I had hoped for, but it certainly sparked thoughts and discussions that will linger. Whether you’re a die-hard fan or someone curious about romance with a touch of the supernatural, the saga has something to offer, even if it may not be what you expect.
Discover more about Breaking Dawn (The Twilight Saga, #4) on GoodReads >>